#: locale=es
## Acción
### URL
LinkBehaviour_44E19287_0916_D39F_41A2_73D80DF6FEF8.source = https://g.page/Chokoladobana?share
LinkBehaviour_58AC125E_090E_72B1_417B_910A0EB5181B.source = https://g.page/Chokoladobana?share
LinkBehaviour_4A46D27F_0976_536F_419E_202C2955BDC1.source = https://www.loremipsum.com
LinkBehaviour_2E3F5F29_0911_D290_418F_DFFBC5F997C0.source = https://www.loremipsum.com
LinkBehaviour_3CDF76B6_090E_D3F1_4193_0091036959FF.source = https://www.loremipsum.com
## Media
### Floorplan
### Imágen
imlevel_7BE0F81E_44C7_5316_41AC_39B6C879D7BD.url = media/map_77EF1F59_44DF_4D1A_41B2_4E173EFF3271_es_0.webp
imlevel_7BE0E81F_44C7_5316_41A3_F95648FD0646.url = media/map_77EF1F59_44DF_4D1A_41B2_4E173EFF3271_es_1.webp
imlevel_7BE0181F_44C7_5316_41CA_F18FBB9E364B.url = media/map_77EF1F59_44DF_4D1A_41B2_4E173EFF3271_es_2.webp
imlevel_7BE0381F_44C7_5316_41CB_0439C53AEFA8.url = media/map_77EF1F59_44DF_4D1A_41B2_4E173EFF3271_es_3.webp
### Título
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panorama_0F8CA3D5_3B3C_F56A_41A6_1B84C993ECDE.label = 05242025_032224
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panorama_0F8C96B8_3B3C_DF1A_419C_987774CE8211.label = 05242025_032505
panorama_0F8D40CC_3B3D_337A_4191_E046280E143F.label = 05242025_032604
panorama_0F8D7A71_3B3D_372A_4197_D77310F74D4C.label = 05242025_032712
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panorama_0F8D9D63_3B3D_4D2E_4187_E45D2B40EACE.label = 05242025_033116
panorama_0F8D56C3_3B3D_7F6E_41BA_1DFB12405C37.label = 05242025_033220
panorama_0F8D8FF3_3B3D_4D2E_41A0_ABD41F2CC5B5.label = 05242025_033322
panorama_0F8DB992_3B3D_55EE_41C7_35EC863FDDE0.label = 05242025_033417
panorama_0F8D32E2_3B3D_372E_41C9_BB04D409BA18.label = 05242025_033539
panorama_0F8D1C84_3B3D_33EA_41C8_E65F326CE8DB.label = 05242025_033600
panorama_0F8D2581_3B3D_DDEA_41C7_115AE59DED84.label = 05242025_033650
panorama_0F8D1EF0_3B3D_CF2A_41CC_C9ECCA257894.label = 05242025_033835
panorama_0F8DE831_3B3D_F32A_41B1_E66FAA3CD4C7.label = 05242025_033936
panorama_0F8D11A1_3B3D_D52A_41BB_314C2A89B7EB.label = 05242025_034033
panorama_0F8DEB12_3B3D_D6EE_41C6_559AAD5A6BC4.label = 05242025_034140
panorama_0F8DE472_3B3D_332F_41B3_A43637ED8C9B.label = 05242025_034234
panorama_0F8D2DBF_3B3D_4D16_41CA_FCF3342E3E44.label = 05242025_034330
panorama_0F8DF721_3B3D_5D2B_41C6_25DA9A322728.label = 05242025_034432
panorama_0F8D3106_3B3D_72F6_41B7_858F2007F6E4.label = 05242025_034543
panorama_0874979A_1828_F601_4174_E259267D1051.label = INICIO
panorama_163CA447_1829_CA00_4192_B089E71EFB15.label = Proa_escalera
panorama_15DC9B2F_183B_7E00_41A4_EE7147F6BFB1.label = Proa_escalera_1
panorama_1606FC51_1839_5A00_4182_34D03CFB4F66.label = Proa_escalera_2
panorama_15B0167D_1829_F600_41A5_EB369B3B0272.label = Proa_escalera_3
panorama_163CE1CD_1829_4A00_4195_C35FB45805FC.label = Proa_escalera_4
panorama_14BAC6EA_182F_7600_41A3_A9FF846A7EAB.label = Proa_escalera_5
panorama_1741B92D_1868_BA00_41A0_3F10A0FBD505.label = Proa_escalera_5_interior
panorama_09E2501F_182F_4A00_41B7_42B1F19A03AF.label = Proa_escalera_6
panorama_11AA545A_3BC3_331E_4177_816E97CAE5BE.label = panoramica360
map_77EF1F59_44DF_4D1A_41B2_4E173EFF3271.label = plantacubierta_processedvr
## Skin
### Botón
Button_A2721F8F_EF20_054E_41E5_0CA24A0455BE.label = Click to Start
Button_44B7780B_79F1_4CD8_41D9_9639506FC3F6_mobile.label = OPEN GOOGLE MAPS
Button_44B7780B_79F1_4CD8_41D9_9639506FC3F6.label = OPEN GOOGLE MAPS
Button_6226F019_EBFC_DF58_41EC_19C1F30D235D_mobile.label = Skip Intro
Button_6226F019_EBFC_DF58_41EC_19C1F30D235D.label = Skip Intro
Button_A2721F8F_EF20_054E_41E5_0CA24A0455BE_mobile.label = Tap to Start
### Imágen
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HTMLText_6EFDDF74_799C_1469_4179_81096269CE56_mobile.html = Christian basilica with three naves that covers about 400 sqm of surface.
Christian basilica with three naves that covers about 400 sqm of surface.
Christian basilica with three naves that covers about 400 sqm of surface.
In the XII-XIII, it is believed that Queen Tamara of Georgia stopped in this area.
In the XII-XIII, it is believed that Queen Tamara of Georgia stopped in this area.
In the XII-XIII, it is believed that Queen Tamara of Georgia stopped in this area.
Since the fifties of the 20th century, Uplistsikhe became a tourist center.
Since the fifties of the 20th century, Uplistsikhe became a tourist center.
Since the fifties of the 20th century, Uplistsikhe became a tourist center.
Temple decorated with Roman
octagonal caissons.
Temple decorated with Roman
octagonal caissons.
Temple decorated with Roman
octagonal caissons.
The largest (300 m²) of the surviving temples from the Hellenistic period.
The largest (300 m²) of the surviving temples from the Hellenistic period.
The largest (300 m²) of the surviving temples from the Hellenistic period.
“Uplistsuli Church”, built in the Middle Ages, between the X-XI centuries.
“Uplistsuli Church”, built in the Middle Ages, between the X-XI centuries.
“Uplistsuli Church”, built in the Middle Ages, between the X-XI centuries.
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El Museo Corbeta Esmeralda representa un espacio de memoria y reflexión, que honra el legado de quienes participaron en el Combate Naval de Iquique. Su existencia responde al propósito de preservar y transmitir a las actuales y futuras generaciones, los valores que han marcado la historia de Chile.
HISTORY:
Uplistsikhe is identified by archaeologists as one of the oldest urban settlements in Georgia. Strategically located in the heartland of ancient kingdom of Kartli (or Iberia as it was known to the Classical authors), it emerged as a major political and religious center of the country. The town's age and importance led medieval Georgian written tradition to ascribe its foundation to the mythical Uplos, son of Mtskhetos, and grandson of Kartlos.
The earliest traces of human presence in Uplistsikhe date back to the end of the 2nd millennium BC. Its earliest remaining structures are from the beginning of the 1st millennium AD. With the Christianization of Kartli early in the 4th century, Uplistsikhe seems to have declined in its importance and lost its position to the new centers of Christian culture – Mtskheta and, later Tbilisi. Meanwhile, it continued to develop as a town. The first Christina basilica was constructed in the 6th century. However, Uplistsikhe reemerged as a principal Georgian stronghold during the Muslim conquest of Tbilisi in the 8th-10th centuries. Another, three-church basilica was constructed at that time. The Mongol raids in the 14th century marked the ultimate eclipse of the town; it was virtually abandoned, and only occasionally used as a temporary shelter in times of foreign intrusions.
ARCHITECTURE:
The town was cut into a flat, straight, but slightly inclining mountain. Nearly straight western wall went down to the river. Outside protection of the town was also facilitated by two motes, northern and eastern, with wall built into them. The river itself closed access to the town from the south, but it was possible to get into the town through a 3 m tunnel that functioned as water supply. The tunnel was closed by metal gate in case of invasion. Two of the three roads that approached the town were not protected, but the third, coming from the north, was cut in rock, with up to 10 m high walls.[2]
The Uplistsikhe complex can tentatively be divided into three parts: south (lower), middle (central) and north (upper) covering an area of approximately 8 hectares. The middle part is the largest, contains a bulk of the Uplistsikhe rock-cut structures, and is connected to the southern part via a narrow rock-cut pass and a tunnel. Narrow alleys and sometimes staircases radiate from the central "street" to the different structures.[1] Th southern part has a complex of structures. Among them a ceremonial hall is the most notable.
A pillar hall with two adjacent rooms is one of the most important structures in the town. Its ceiling was supported by two pillars. A stone bench, probably, served as a ruler's seat.
The majority of the caves are devoid of any decorations, although some of the larger structures have coffered tunnel-vaulted ceilings, with the stone carved in imitation of logs. Some of the larger structures also have niches in the back or sides, which may have been used for ceremonial purposes. The facade of the large ceremonial hall of the southern part is decorated by the Roman type arch with pediment.
The 6th century basilica was largely cut into the rock, except its southern wall, built from the rocks. At the summit of the complex is a Christian basilica built of stone and brick in the 9th-10th centuries. Archaeological excavations have discovered numerous artifacts of different periods, including gold, silver and bronze jewellery, and samples of ceramics and sculptures. Many of these artifacts are in the safekeeping of the National Museum in Tbilisi.
Several parts of the most vulnerable areas were completely destroyed by an earthquake in 1920. The stability of the monument remains under substantial threat, prompting the Fund of Cultural Heritage of Georgia (a joint project of the World Bank and Government of Georgia) to launch a limited program of conservation in 2000. The Uplistsikhe cave complex has been on the tentative list for inclusion into the UNESCO World Heritage program since 2007.
Content from wikipedia (https://en.wikipedia.org/wiki/Uplistsikhe)
INTRODUCCION:
El Museo Corbeta Esmeralda. ubicado en el Paseo Lynch de la cuidad de Iquique, constituye una de las principales iniciativas de puesta en valor del
patrimonio marítimo nacional. Inaugurado el 20 de mayo de 2011, este espacio cultural ofrece a la cuidadanía una repoducción a escala real de la histórica corbeta, permitiendo conocer de manera cerca y didáctica uno de los hitos más relevantes de la historia de Chile: el Combate Naval de Iquique del 21 de mayo de 1879.
En el marco de la commemoración de sus 15 años de existencia, nuestro museo reafirma su vocación de servicio público, orientada a preservar la memoria histórica y difundir el legado naval de la nación.
ORIGEN Y DESARROLLO DEL PROYECTO:
La materialización del Museo Corbeta Esmeralda se enmarca en una iniciativa impulsada en el contexto de las conmemoraciones de Bicentenario de Chile, con el objetivo de generar un aporte significativo y perdurable a la comunidad. El proyecto fue desarrollado gracias al esfuerzo conjunto de la Compañía Minera Doña Inés de Collahuasi, la Corporación Patrimonio Marítimo de Chile, la Armada de Chile, el Gobierno Regional y la Ilustre Municipalidad de Iquique.
Su ejecución consideró la participación de equipos multidiciplinarios, integrando conocimientos históricos, técnicos y museográficos, lo que permitió concretar una obra de alto éstandar, tanto en su dimensión constructiva como en su propuesta cultural.
FUNCIÓN PATRIMONIAL Y EDUCATIVA:
El museo ha consolidado su posición como un espacio de carácter formativo y cultural, orientado a la comunidad nacional e internacional, A través de un recorrido estructurado, los visitantes pueden conocer las condiciones de vida a bordo, las características técnicas del buque y los acontecimientos que marcaron su participación en la Guerra del Pacífico.
Asimismo, el Museo Corbeta Esmeralda desarrolla permanentemente labor educativa, mediante programas dirigidos a establecimientos educacionales, visitas guiadas y actividades de extensión cultural, contribuyendo al fortalecimiento de la identidad nacional y el conocimiento de la historia de Chile.
Uplistsikhe, literally, "the lord's fortress" is an ancient rock-hewn town in eastern Georgia, some 10 kilometers east of the town of Gori, Shida Kartli.
Temple with Caissons (also called "The Theater")
The facade with its pediments and its distinctive profile make this temple the center of the architectural composition of the ancient city.
It is very recognizable for its triangular roof and its columns, which have been replaced by raw concrete ones, but we can get an idea of what the originals would have been like in ancient times.
Eastern and Western architectural traditions have met in Uplistsikhe. A semicircular vault, a staple of Parthin balcony architecture, is decorated with Roman octagonal caissons.
As usual in this type of rock structures, it is likely that this building was also some kind of temple. As experts believe it could even be from the 1st century AD. it is possible that ritual works were carried out here, and that they were never intended for a large public.
Temple with Caissons (also called "The Theater")
The facade with its pediments and its distinctive profile make this temple the center of the architectural composition of the ancient city.
It is very recognizable for its triangular roof and its columns, which have been replaced by raw concrete ones, but we can get an idea of what the originals would have been like in ancient times.
Eastern and Western architectural traditions have met in Uplistsikhe. A semicircular vault, a staple of Parthin balcony architecture, is decorated with Roman octagonal caissons.
As usual in this type of rock structures, it is likely that this building was also some kind of temple. As experts believe it could even be from the 1st century AD. it is possible that ritual works were carried out here, and that they were never intended for a large public.
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This project has been developed and produced by 3DVista using the latest technology. The 3D material and panoramas have been produced by Archill and transferred to 3DVista to set up this Virtual Tour that serves as an example of the possibilities in the field of archeology and tourism. Church of Prince
The Uplistsuli church (2nd half of the 10th c) was erected in the place of an earlier pagan temple. Traces of the ancient structure can be clearly discerned near the foundations of the western wall.
In 337, following the proclamation of Christianity as the state religion in Georgia, a confrontation arose between the pagan citizens of Uplistsikhe and the early Christians, which resulted in the persecution of the priests and residents of Uplistsikhe; part of the city's facilities were destroyed and burned, establishing Christian churches in the place of the two main pagan temples. An early Christian Church document was found calling for the pagans of Uplistsikhe to be killed, and perhaps many priests, as well as some residents of the town, were executed during that period.
The Temple of the Sun, at the top of the city, was rebuilt into a Christian church. Another large pagan temple with a plaza opening onto the Central Plaza in the 6th century was rebuilt into a three-aisled Christian basilica covering some 400 square meters in area. Both structures collapsed faster than the others, and in the early middle ages a whole new church was built on the main site of Uplistsikhe, which was called the "Uplistsuli church" (Church of the Prince). This building belongs to the X-XI centuries.
A large cellar was also destroyed by the early Christians. As the archaeologists discovered, "jars were removed, wooden buildings collapsed, and then fire was set on fire."
For a long time in Uplistsikhe the secret worship of pagan deities continued. Archaeologists have found enclosed spaces, where even after the introduction of Christianity, small cult rituals and animal sacrifices continued to be performed. In general, with the introduction of Christianity, the value of Uplistsikhe naturally fell sharply; the flow of donations ceased, the number of pilgrims decreased. The city in its value also decreased to a common fortress.
Church of Prince
The Uplistsuli church (2nd half of the 10th c) was erected in the place of an earlier pagan temple. Traces of the ancient structure can be clearly discerned near the foundations of the western wall.
In 337, following the proclamation of Christianity as the state religion in Georgia, a confrontation arose between the pagan citizens of Uplistsikhe and the early Christians, which resulted in the persecution of the priests and residents of Uplistsikhe; part of the city's facilities were destroyed and burned, establishing Christian churches in the place of the two main pagan temples. An early Christian Church document was found calling for the pagans of Uplistsikhe to be killed, and perhaps many priests, as well as some residents of the town, were executed during that period.
The Temple of the Sun, at the top of the city, was rebuilt into a Christian church. Another large pagan temple with a plaza opening onto the Central Plaza in the 6th century was rebuilt into a three-aisled Christian basilica covering some 400 square meters in area. Both structures collapsed faster than the others, and in the early middle ages a whole new church was built on the main site of Uplistsikhe, which was called the "Uplistsuli church" (Church of the Prince). This building belongs to the X-XI centuries.
A large cellar was also destroyed by the early Christians. As the archaeologists discovered, "jars were removed, wooden buildings collapsed, and then fire was set on fire."
For a long time in Uplistsikhe the secret worship of pagan deities continued. Archaeologists have found enclosed spaces, where even after the introduction of Christianity, small cult rituals and animal sacrifices continued to be performed. In general, with the introduction of Christianity, the value of Uplistsikhe naturally fell sharply; the flow of donations ceased, the number of pilgrims decreased. The city in its value also decreased to a common fortress.
Hall of Tamara
In the early 12th-13th centuries, Queen Tamara of Georgia is believed to have stopped at Uplistsikhe, but scholars disagree on that point. However, one of the ancient pagan temples, converted into royal chambers in the 10th century, was preserved in the oral traditions of the local population from the 19th century as the "Hall of Queen Tamara".
The architecture of this era is full of rock chambers and is therefore atypical not only in Georgia, but also in the entire Transcaucasian region. The builders sought to reproduce the typical details of traditional stone or wood architecture. Many of the rooms in the rock are decorated with imitation wooden or stone beams, columns and other architectural elements. In this respect, Uplistsikhe is similar to Petra in Arabia, which was also built in the Hellenistic period, as well as some buildings in Paphlagonia. The influence of part architecture is not excluded.
The construction of the Uplistsikhe premises was carried out in two stages: first there was a large roughing of the rock, then - as it approached the line of the wall - the stone was finely encased to the desired shape, a process reminiscent of the sculptor's work. Water and abrasive stone were used for refining, and the process not only gave the rock the required shape, but also applied a reliable protective layer on the rock surface (stoneware). This layer was designed to prevent structural damage.
Hall of Tamara
In the early 12th-13th centuries, Queen Tamara of Georgia is believed to have stopped at Uplistsikhe, but scholars disagree on that point. However, one of the ancient pagan temples, converted into royal chambers in the 10th century, was preserved in the oral traditions of the local population from the 19th century as the "Hall of Queen Tamara".
The architecture of this era is full of rock chambers and is therefore atypical not only in Georgia, but also in the entire Transcaucasian region. The builders sought to reproduce the typical details of traditional stone or wood architecture. Many of the rooms in the rock are decorated with imitation wooden or stone beams, columns and other architectural elements. In this respect, Uplistsikhe is similar to Petra in Arabia, which was also built in the Hellenistic period, as well as some buildings in Paphlagonia. The influence of part architecture is not excluded.
The construction of the Uplistsikhe premises was carried out in two stages: first there was a large roughing of the rock, then - as it approached the line of the wall - the stone was finely encased to the desired shape, a process reminiscent of the sculptor's work. Water and abrasive stone were used for refining, and the process not only gave the rock the required shape, but also applied a reliable protective layer on the rock surface (stoneware). This layer was designed to prevent structural damage.
TEMPLE OF MAKVLIANI
The Makvliani temple is the largest (with a total area of about 300 m²) of the surviving temples from the Hellenistic period.
The temple is an object of conjecture, and caissons are engraved on the ceiling like in other significant halls.
Makvliani, the name of the area, does not give us information about the origin of the temple, since this word translates as 'mulberry', because of the vines that hang from the ceiling.
There is a good chance that this temple was a place of worship for the Sun Goddess of the Caucasus.
TEMPLE OF MAKVLIANI
The Makvliani temple is the largest (with a total area of about 300 m²) of the surviving temples from the Hellenistic period.
The temple is an object of conjecture, and caissons are engraved on the ceiling like in other significant halls.
Makvliani, the name of the area, does not give us information about the origin of the temple, since this word translates as 'mulberry', because of the vines that hang from the ceiling.
There is a good chance that this temple was a place of worship for the Sun Goddess of the Caucasus.
Three-side Basilica
For the worship of chthonic deities, large pits with a diameter of one to four meters were used, and the depth of some of them reached 12 meters. The pits were used for the ritual sacrifice of animals to the gods of the underworld. Before detailed excavations and analysis of the remains of material from the bottom of the pits, their purpose remained uncertain. As one of the assumptions, it was suggested that the large pits served as a prison. This assumption turned out to be incorrect, but some popular sources still indicate the existence of "underground prisons" in Uplistsikhe. There is no consensus among monument researchers as to whether all religious buildings should be considered temples in the classical sense of the word, but most scientists agree that they served a religious purpose.
We can observe one of the sacrificial wells for the worship of the deities, covered with a modern net. The well was part of an ancient temple, which was later rebuilt into a Christian basilica.
Three-side Basilica
For the worship of chthonic deities, large pits with a diameter of one to four meters were used, and the depth of some of them reached 12 meters. The pits were used for the ritual sacrifice of animals to the gods of the underworld. Before detailed excavations and analysis of the remains of material from the bottom of the pits, their purpose remained uncertain. As one of the assumptions, it was suggested that the large pits served as a prison. This assumption turned out to be incorrect, but some popular sources still indicate the existence of "underground prisons" in Uplistsikhe. There is no consensus among monument researchers as to whether all religious buildings should be considered temples in the classical sense of the word, but most scientists agree that they served a religious purpose.
We can observe one of the sacrificial wells for the worship of the deities, covered with a modern net. The well was part of an ancient temple, which was later rebuilt into a Christian basilica.
Uplistsikhe Museum
Since the fifties of the 20th century, Uplistsikhe has become a tourist center. As the parallel works on the cleaning of the settlement, carried out since 1957 by an archaeological expedition, were carried out, the tourist value of the monument increased: more and more ancient rooms were available for visit. Of the more than 700 buildings in the city, about 150 have been preserved. The buildings are open to tourists.
Towards the end of the 20th century, the danger of serious damage to many buildings increased due to the erosion of the stoneware. The Georgian government was unable to allocate sufficient financial funds for the reconstruction of the Uplistsikhe caves, and a new small earthquake in 2000 severely damaged some buildings.
In 2000, the World Bank, together with the Georgian government, allocated money for the reconstruction of a part of the monument, and also paid for the provision of a tourist center near Uplistsikhe, which could provide information in different languages. It is currently unclear how these funds have been used, as the resort is generally closed, and the Georgian side claims that the money allocated for reconstruction was not enough. Experts predict serious destruction of the monument in the next 30 years, if timely measures are not taken to preserve the existing cuts. Uplistsikhe is located in an active seismic area, and subsequent earthquakes can also seriously damage the monument, especially if conservation measures are not taken.
Uplistsikhe Museum
Since the fifties of the 20th century, Uplistsikhe has become a tourist center. As the parallel works on the cleaning of the settlement, carried out since 1957 by an archaeological expedition, were carried out, the tourist value of the monument increased: more and more ancient rooms were available for visit. Of the more than 700 buildings in the city, about 150 have been preserved. The buildings are open to tourists.
Towards the end of the 20th century, the danger of serious damage to many buildings increased due to the erosion of the stoneware. The Georgian government was unable to allocate sufficient financial funds for the reconstruction of the Uplistsikhe caves, and a new small earthquake in 2000 severely damaged some buildings.
In 2000, the World Bank, together with the Georgian government, allocated money for the reconstruction of a part of the monument, and also paid for the provision of a tourist center near Uplistsikhe, which could provide information in different languages. It is currently unclear how these funds have been used, as the resort is generally closed, and the Georgian side claims that the money allocated for reconstruction was not enough. Experts predict serious destruction of the monument in the next 30 years, if timely measures are not taken to preserve the existing cuts. Uplistsikhe is located in an active seismic area, and subsequent earthquakes can also seriously damage the monument, especially if conservation measures are not taken.
This project has been developed and produced by 3DVista using the latest technology. The 3D material and panoramas have been produced by Archill and transferred to 3DVista to set up this Virtual Tour that serves as an example of the possibilities in the field of archeology and tourism. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Praesent finibus elementum neque ut blandit. Aenean rutrum sem in purus egestas iaculis. Fusce lobortis est fringilla odio suscipit.
A new way to discover the ancient heritage from the past with the new technology developed by 3DVista.
A new way to discover the ancient heritage from the past with the new technology developed by 3DVista.
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A new way to discover the ancient heritage from the past with the new technology developed by 3DVista.
A new way to discover the ancient heritage from the past with the new technology developed by 3DVista.
Coordinates: N41 58 E44 12
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Fringilla eros
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Lorem Ipsum dolor
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Coordinates: N41 58 E44 12
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El Museo Corbeta Esmeralda mantiene un compromiso permanente con la preservación y difusión del patrimonio histórico naval. En este sentido, se han incorporado mejoras continuas en sus contenidos y recursos museográficos, con el propósito de ofrecer una experiencia actualizada y acorde a los estándares contemporáneos.
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